Showing posts with label vignettes. Show all posts
Showing posts with label vignettes. Show all posts

Arranging objects - scattering

And now for Part 2 of my arranging objects series....  Scattering objects to the the edges of a table or mantle can  either create a visual mess or a striking composition using repetition.  Think about how you want to arrange a collection. What do you have in the collection that could be the star or the weightiest object? 

  Scattering objects to the edges of  can create a problem in two ways:

  1. When you arrange objects in a vignette  and you spread the object  along the length of the tabletop from side to side you are pulling  the focus to the edges and the cohesiveness  usually falls apart. 

Some effort was made in this vignette to have a centre of interest by placing the bell jar and the plant pick in the centre.  Unfortunately height and colour in the plants take command and your eye runs both up and off the edges.

 When you want to anchor your eye the tallest objects  (several massed)  should be placed together.  The shorter ones can  lead to the edges.  This vignette could be arranged like the one below for a stronger composition.



This is a masterful display in one colour.  It has variety in heights and shapes and the massing of the objects in the classic A formation anchors the eye on the vignette. 


This is the same solution as above, but the height is added using a dark wall and a painting that  anchors the vignette. 



While the objects in this vignette are focused toward the edges they are connected by the large circular mirror/sculpture/  I would prefer that the taller objects bank the mirror and the shorter ones approach the edges.  This organization works too. 


 

       2.    Sometimes you group objects to one side of a tabletop and it creates an unbalanced look. If the 
              objects are similar in height there is no variety.   


This composed correction created variety in shapes, heights and placement. You could also reverse the placement and have the lamp on the right which would move the frame away from the other frames on the wall.


Exception to the rule:
Although this vignette is on the edge of the counter it is extremely well placed.  It  connects with the strong black vertical  on the left and the black rectangle on the counter.  All work together to create a vignette within a vignette.


Kissing objects and other design issues

This is the first post of a series I have planned to focus on arranging objects in a pleasing way in your home.

 The same principles of design that are the backbone of a good painting can be applied to designing a room or a vignette.  People often know when something doesn't look right , but they might not be able to articulate why they have that feeling. I thought I would focus on some of the finer points that can move a space from fine to fantastic.

Do you have....

Kissing objects
 That's the best way to describe objects that touch each other or look like they are touching  thus causing an odd tension/confusion.  Is it one object? Two objects? Why are they side by side? etc.


These two nesting dolls tell the story.  Do you want to move them apart? Another thing that happens when object touch or are too close together is the creation of boring negative space especially when the objects have the same form. You can see that the shape between the two dolls in almost symmetrical.


 When the objects are overlapped slightly you create more visual interest and depth.  If you can add a third object for variety, so much the better. Note the spacing in the middle.

 

 I would be the first person to admit that there are beautiful objects in this collection, but I want to appreciate them individually. 

 If you have a huge quantity of objects in a collection you might be better served by choosing a more thougtht out way of displaying them rather than massing them together randomly.  This collection reads as quantity and the beautiful forms are lost in the "gathering". 


 Exception to the rule
Then there is the exception to the rule. I don't think having the two pots touching in this vignette is at all boring because of the variety in direction and shape created by the small trees.  The enclosed space between the pots is interesting because of the legs.  There is so much else going on that this just works well.


 

 Furniture can kiss too!  When you have a curved/slanted arm on a sofa or chair move your end table out so it is not touching the sofa. It frees up space and creates visual ease. If the arm of sofa is curved you often have to move a table out even further.